Monday, 5 January 2015

Experimenting with monoprints

I'm trying to find the essence of the subject,  and making several monoprints help to loosen me up, the mark making becomes less about realism and more about form.

I use either oil paint or acrylic with retarder.  Oil paint gives a better result but does mean that I need to leave them for at least 24 hours before I can work on them again.

I roll out the paint onto a glass plate then place my paper on top and draw with a pencil or my finger on the back of the paper, making sure that I don't rest my hand on it.  I have an image in my mind, but I don't work with either photographs or drawings.


first print in the coast series

For the coast series I had in mind a painting I did some time ago of boats in Bridlington Harbour.



coast series, print 5

About half way through there is less detail.  I like the way that the marks from previous prints show on later ones.

Coast series, print 11

Less and less detail, I have added the net, inspired by the previous print marks.




Coast series, print 12


When the oil paint was dry, I added some collage and gesso.  It's still not quite what I want, but I'll do some more monoprints onto fabric next time.



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