Foston studio day

This blog is still very erratic with it's postings,  I will try to get back to posting once a week.

I went to the Foston Studio Day today, to work with Rachel and Joan in the village hall.  It's a nice arrangement as we get to chat about our work and actually do some work as well.

I didn't get very much done today (as usual) and don't feel any nearer to finding my way.  I do feel that I have to keep going and hope that I can find 'my thing'.  I feel that I need to do a lot more work than I am doing at the moment, I do keep saying that but still haven't got into just making samples and not worrying about results.

These are the two samples I did today, trying to capture the semi abstract landscapes I have done in paint.  Neither works as I wanted, but I can see what NOT to do.  I think I will try using mostly paper next time.

Stitched landscape 1

 This was patched with raw seams, then some white gouache painted over to key it together, then the Abaca tissue and charcoal pencil added.  It's too fragmented, too many shapes, too many colours.

Stitched landscape 2

This is the second piece, less pieces, less colours, and it works more.  I don't like the light piece half way down the left-hand side, so will alter this.  I used Madeira Lana thread to stitch it and I really like the effect.  I need to get a black or very dark grey thread to imitate charcoal pencil, or perhaps just use charcoal?

Machine embroidery on water-soluble.

I did this piece last week (should have blogged about it then)  It's a long time since I worked with water-soluble and it's not quite right but I am quite pleased with it.  The trees need to be taller, and I need to get some scale (size and tone) into the middle ground to show recession.

I need to think about how it would be mounted.  I did think about enlarging the original photograph, fading it and printing it onto water-colour paper as a background, or just on a plain white background?  I will have to try several out.  I need to work lots more samples before I get what I want.

Landscape monoprints

I enjoyed working with the Coast theme and monoprints so much that I did some on the Landscape theme a few days after.

I used acrylic and retarder for these, its not as spontaneous as using oil paint.  I had to add a little water and more retarder half way through.

Landscape monoprint 1

 I had in mind a photograph of a barn in Wensleydale,  but didn't have any source material in front of me.

Landscape monoprint 6

Turned the format to portrait, much looser.

Landscape monoprint 10

I like the flow of this one, and can see it in stitch.  Will do some on fabric next.

A New Year, but following the same themes

I have been exploring the themes of 'Coast' and 'Landscape' for several years (probably at least ten).  I still find both of them an endless source of inspiration. I live within 100 yards of the North Sea, and am surrounded by the diverse and beautiful countryside of Yorkshire. 

I took a Fine Art Diploma a few years ago, and found myself doing more painting than textiles because of it.  This means that over the last couple of years I haven’t done so much on the textile side. I now want to redress the balance.  I hope I can run the painting and the textiles alongside each other, particularly as the textile pieces I have made in the last couple of years include painting and collage.

I find it difficult to know what to call the work I do, as it can be made of anything which seems appropriate, and may not contain any fibre at all, but for want of a better title, they are textiles. 

I also make Artist books; enjoy printmaking, photography and basic digital art, and these are part of the exploration.

Time and place are important in my work.  I see history as a series of transparent layers, although some layers may be blurred; accidentally or intentionally, obscuring what lies in the past.  

It’s essential for me to have a sense of place. Although this expression is rather hackneyed, I mean it literally.  To stand on a beach; to be still, to take in with one’s sense all that is happening around you, that is what is important.  To smell the sea, hear the sound of the seagulls, to feel the touch of the wind and taste the salt.  Most important of all is that inner feeling you can only get by being there, connecting with the place.

That is a challenge.  I hope to post at least once a week, chronicling my progress.